You might like Left Right Study of the Head of Tristram for ‘The Madness of Sir Tristram’ Sir Edward Coley Burne-Jones, Bt c.1862 Composition Study for ‘The Merciful Knight’. Verso: Composition Study for ‘St Valentine’s Day’ Sir Edward Coley Burne-Jones, Bt c.1863 Nude Study of Knight for ‘The Merciful Knight’ Sir Edward Coley Burne-Jones, Bt c.1863 Nude Study of the Knight for ‘The Merciful Knight’ Sir Edward Coley Burne-Jones, Bt c.1863 Nude Study of Knight for ‘The Merciful Knight’ Sir Edward Coley Burne-Jones, Bt c.1863 Study of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire Sir Edward Coley Burne-Jones, Bt c.1863 Two Studies of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire Sir Edward Coley Burne-Jones, Bt c.1863 Study of a Male Figure for ‘Clerk Saunders’ Sir Edward Coley Burne-Jones, Bt c.1861 Sketch of Two Seated Figures: ‘Chant d’Amour’ Sir Edward Coley Burne-Jones, Bt c.1862–5 Study for ‘Buondelmonte’s Wedding’ Sir Edward Coley Burne-Jones, Bt c.1859 Study of the Pilgrim for ‘The Pilgrim at the Garden of Love’ Sir Edward Coley Burne-Jones, Bt c.1872–7 Study of the Image for ‘The Godhead Fires’ in the ‘Pygmalion and the Image’ Series Sir Edward Coley Burne-Jones, Bt c.1868
