You might like Left Right Three Studies for ‘The Beguiling of Merlin’ Sir Edward Coley Burne-Jones, Bt c.1872–7 Study of a Male Figure for ‘Clerk Saunders’ Sir Edward Coley Burne-Jones, Bt c.1861 Study of a Seated Woman for ‘The Hours’ Sir Edward Coley Burne-Jones, Bt c.1866 Study of the Head of a Female Attendant for ‘The Adoration of the Kings’ Sir Edward Coley Burne-Jones, Bt c.1861 Study of Iseult for ‘The Marriage of Sir Tristram’. Verso: Figure of Sir Tristram Sir Edward Coley Burne-Jones, Bt c.1862 Composition Study for ‘Clerk Saunders’ Sir Edward Coley Burne-Jones, Bt c.1861 Study for Tile of the ‘Story of Beauty and the Beast’. Verso: Study for ‘Wine of Circe’ Sir Edward Coley Burne-Jones, Bt c.1862, c.1863 Study for ‘Buondelmonte’s Wedding’ Sir Edward Coley Burne-Jones, Bt c.1859 Study of the Pilgrim for ‘The Pilgrim at the Garden of Love’ Sir Edward Coley Burne-Jones, Bt c.1872–7 Study of a Dancing Woman for ‘The Mill’ Sir Edward Coley Burne-Jones, Bt c.1870–82 Study of the Image for ‘The Godhead Fires’ in the ‘Pygmalion and the Image’ Series Sir Edward Coley Burne-Jones, Bt c.1868 Studies of Drapery and the Figure of the Virgin for the ‘Annunciation’ in the Church of St Martin’s-on-the-Hill, Scarborough, Yorkshire Sir Edward Coley Burne-Jones, Bt c.1862
